In fact, a smooth and amazingly blended rainbow trout mask replica..
for Carolyn…
Trout Mask Replica: Weirdness as a distinguishing aspect of Organic White Being and Creativity.
Particularly recommended for your listening pleasure are the cuts: Ella Guru
…“here she comes walkin’, lookin’ like a zoo, high YElla Guru”
Hair Pie Bake2 Dachau Blues She can’t go to the beach because her hands are too small.
Neon Meat Dream of a Octafish .. “mucous mules fox trot, tra la, tra la, tra la, tra la”…
…but they are all quite good
John Lennon apparently liked Beefheart (Safe As Milk in particular – note the decals on the wall behind him)… 
…until he heard the Beatles being mocked in the Beefheart song:
“Beatle Bones ‘N’ Smokin’ Stones”
….strawberry dog, strawberry caterpillar, etc, strawberry fields forever…
Captain Beefheart – The Man And His Music – band members describe how he got them to do his “method” …funny.
Farther than we’ve gone
https://www.youtube.com/watch?v=LQLLsHQToJY
The party of special things to do
https://www.youtube.com/watch?v=HyITTLeLRR4
I met the ace of love at the party of special things to do..she said here: Here. Take these spots so that my distant cousins can get along with you.
Upon the my oh my
https://www.youtube.com/watch?v=dq6fCOGyVJg
studio version
https://www.youtube.com/watch?v=Wr2G9j9Lvgc
I got love on my mind, but I can’t make up my mind, who to love…
https://www.youtube.com/watch?v=m0pmb3B159s
This is the day that love chose to stay:
https://www.youtube.com/watch?v=-KjTQvohG4Y
A preliminary note: While this platform is advising that a certain latitude for weirdness be granted as an organic aspect of White Being, a very basic and synthetic function (as opposed to analytic), it is necessary to round off this latitude with the most fundamental category, that is socialization and add the median levels of routine, ordinary practice and sacrament, to secure any quests of self actualization as grounded in a healthy, species system of our people.
That is, we are not promoting weirdness for weirdness sake unaccountable to our people’s interests …or for the sake of contributing to red caping this idea, like the bizarre trans-sexual cause is doing… but to the contrary, to defiantly counter the red caping of a legitimate defense of organic White being, which in the meanderings of our sublimation, can appear a little weird at times, say, when compared to black rhythms: “looga the huwhite boy, he’s got no integritae”…or those who would expect us to rigidly conform and die in wars like Vietnam for corporations, because that’s what men do – they cannot be, they must engage the rigid tradition of those who do not care for us – though our being is for us and ours – there being, being amidst our people.
We to be on guard against being associated with Jewish red caping of marginality, as representing those outside of White systemics and anti-White, rather than those who are an organic part, temporarily on the margins; but we must guard against puerile female assessment as it is overly empowered in the disorder of modernity, bereft the White class of systemic socialization: “oooh, your so weird.”
Though not quite the problem it was in pre-Internet days, a time when it came to media and one’s concerns one was a passive subject and victim of the three kosher TV networks and Hollywood, assaulting one’s intellect and emotions with interests counter to yours, there are now ways to interact and re-channel your emotions with the internet, thus other than the fantasy alternative of listening to music (and ignoring or changing the lyrics in your head, if need be – “Tin soldiers and Negroes comin’, we’re finally on our own”…) and attending to musical performances…the over appealingness of music, particularly as it grants mass attendance and influence to people who’s philosophy of life can be as lame and liberal as any is something to bring under critique indeed. Plato seems to have had a point that this raw appeal to the emotions can be a hazard to intellectual development.
But when contrasting White and black music, two hazards become more pronounced, in that the blacks less sublimated, more direct appeal to the opposite sex (we’re talking mostly males appealing to females) steps up the pressure for episodic competition for females within the disorder of modernity – wherein cultural patterns are ruptured for the breakdown of group boundaries by anti-racism; as if the story of “female panacea” – which is destructive to both genders in its over amplification; as if it wasn’t amplified enough by the ignorance of musicians and those seeking to popularize their songs for the sake of a hit. Secondly, in the biopower, biohegemony even of their long pre-evolved rhythmic ability, dispensation of black music can become like a narcotic to those whose patterns have broken down.
While it is hard and in a way futile to deny the appeal of Sly and The Family Stone, or The Four Tops to name a few .. or Jimi Hendrix Axis: as Bold as Love, his Band of Gypsies performance among others…
..we should ask ourselves, is it worth it? Is it worth your would be wife and daughter, even if indirect casualties of one of the most powerful arguments on behalf of tolerating blacks in you nation – their music.
We are forced to improvise in a more far reaching way…
Indeed, part the greatness that comes from Whites is due to our sublimation – that is to say, our lack of inborn rhythmic perfection, our Caucasian awkwardness, as it were, forces us to improvise in a more far reaching way as compared say, to blacks, whose older, evolutionary form is charm looped in such a way to simply allow them to perform basic life functions automatically the right way in an organic, biological sense – more directly and with near biological hegemony. We must struggle a bit more for our lack of such strong inborn rhythm, but this sublimation and the compelled striving, when breaking through to a degree of mastery, corresponds with our spectacular accomplishments.
It also corresponds with the wonderfully creative music that we make, when we do break though to our rhythm – or choose not to, in a word, as in the case of Captain Beefheart; who captured a very important aspect of White Being in this awkward, a-rhythmic side, this WEIRDNESS, which is a distinctly (non-black) White characteristic that was a part of the profundity of the organic Hippy motive for Being (there being amidst our people).. this was/is a particularly significant aspect of White male being to protect against the atavistic low common denominator of modernity (“ooh, you’re so weird”, the puerile girl says; “looga the huWhat boy, he’s got no integritae” …”he’s got no soweaoweaoeul eohoowohuowhul” the black says). a significance, of course, glossed over by traditional and feminist women alike, needless to say the YKW.
PJ Harvey – Good Fortune
Polly was influenced by Beefheart and actually received a call from him – something he almost never did – to express his appreciation of her music.
A rare occasion when a cover is at least as good as a (fantastic) original.
Swans – Love Will Tear Us Apart (Acoustic Version / No Drums)
Larry Coryell and Ralph Towner:
Improvisation On Robert De Visee’s Sarabande
Deep Purple-My Woman From Tokyo
Jeff Watson and Allan Holdsworth Play that Funky Music
You Overwhelm Me ♫ Robert Palmer
The origin and history of Unchained Melody
One of those songs where the cover, viz., by the Righteous Brothers, was actually better.
Steve Winwood was 17 years old when he did these songs:
Spencer Davis Group – I’m a Man
Spencer Davis Group – ‘Gimme Some Lovin’ Stereo Music Video
Yes – Close To The Edge (Full Album)
David Bowie
His two best albums, both are completely good – every song:
Ziggy Stardust is full of upstart pop-rock energy:
Ziggy Stardust
The Rise and Fall of Ziggy Stardust and the Spiders From Mars
Diamond Dogs is thematized by Orwell’s 1984 and captures with genius the alien, dehumanizing mood of said negative utopia:
David Bowie – Diamond Dogs
Also quite good is
Dav̲i̲d B̲o̲wie – S̲ta̲tion to S̲ta̲tion (Full Album) 1976
Robin Trower – Bridge Of Sighs (Full Album)
ELP: Trilogy, including “From the Beginning”: https://www.youtube.com/watch?v=BXGtsNCp7rE
ELP: Brain Salad Surgery:
I Believe in Father Christmas, performed and co-written by the late Greg Lake:
Emerson, Lake & Palmer – I Believe In Father Christmas Lyrics
They said there’ll be snow at christmas
They said there’ll be peace on earth
But instead it just kept on raining
A veil of tears for the virgin’s birth
I remember one christmas morning
A winters light and a distant choir
And the peal of a bell and that christmas tree smell
And their eyes full of tinsel and fireThey sold me a dream of christmas
They sold me a silent night
And they told me a fairy story
‘till I believed in the israelite
And I believed in father christmas
And I looked at the sky with excited eyes
‘till I woke with a yawn in the first light of dawn
And I saw him and through his disguiseI wish you a hopeful christmas
I wish you a brave new year
All anguish pain and sadness
Leave your heart and let your road be clear
They said there’ll be snow at christmas
They said there’ll be peace on earth
Hallelujah noel be it heaven or hell
The christmas you get you deserveSongwriters: GREG LAKE, PETER JOHN SINFIELD, SERGE PROKOFIEFF
I Believe In Father Christmas lyrics © MUSIC SALES CORPORATION
“I Believe in Father Christmas” is a song by English musician Greg Lake with lyrics by Peter Sinfield.
I got a problem, can you relate?
I got a woman callin’ love hate.
We made a vow we’d always be friends.
How could we know that promises end?
Jaco Pastorius: Donna Lee
Deja vu:
The News Behind The News – Carl Klang
Have you ever stopped to wonder why the world’s in such a mess?
Why there’s so much mindless mayhem on the T.V. in the press?
Why so many busy businessmen are snappin’ from the stress?
And the rest of us are joggin’ from depression?
Did it ever once occur to you or ever cross your mind?
That the problems of this nation are created by design?
That no matter what they tell ya there’s another bottom line?
Intertwined between the patterns of deception?
Since our eyes were first open and our ears began to hear
They’ve been herding us like cattle through our fantasy and fear
They rule us through illusion and confusion of the mind
And by changing subtle meanings to the words between the lines
It’s the news behind the news and the methods you can use
It’s the blueprint and the plan you can rely on
And it’s written in the Protocols Of The Learned Elders Of Zion
Move along now all you little bovine…
Now they’ll tell ya it’s a forgery they’ll say that it’s a fake
That some anti-Semite wrote it for the money that he’d make
It’s been slanderized and demonized and labeled “racist hate”
By the same who stake a claim to it’s creation
Now I’m not here to try to argue if it’s fake or if it’s true
If the author was a commie or the likes of you know who
What I’m really tryin’ to tell ya and to get across to you
That it’s the blueprint to the downfall of our nation
There’s a cause to the chaos that’s occurring in the land
There’s a road to communism there’s a global master plan
You’ll never read about it in a book of history
‘Cause it’s been hidden from the masses to control their destiny
It’s the news behind the news and the methods that they use
It’s the blueprint and the plan they all rely on
And it’s written in the Protocols of the Learned Elders of Zion
Yee haw!
Now them Protocols of Zion have a crazy history
Henry Ford gave out a copy free, with every Model “T”
It’s a crime to even own one if you live in Germany
Though it’s not an anti-Jewish publication
So if you ever get a chance to get a copy of your own
Just remember not to ever leave it lyin’ ’round your home
‘Cause ya never know just where their snoopy news reporters roam
One might even be a friend or close relation
It’s the cause to the chaos that’s occurring in the land
It’s the source of communism, it’s the global master plan
You’ll never read about it in a book of history
‘Cause it’s been hidden from the masses to control our destiny
It’s the news behind the news and the methods that they use
It’s the blueprint and the plan they all rely on
And it’s written in the Protocols of the Learned Elders of Zion
And it’s written in the Protocols of the Learned Elders of Zion
Yee Haw! Go ahead and wail at your wall!
The fact that this is the Rotterdam symphony chorus makes it all the more poignant, i.e., tragic, considering that Rotterdam has become something like the Newark, New Jersey of Europe.
The Boomer who runs “Rock History Channel” made this video discussing how he does not like the voice of Nirvana’s Kurt Cobain
“A Legendary Voice I Still Can’t Stand”
https://www.youtube.com/watch?v=5mP09bP6BM8
I (DanielS) commented:
For the sake of you and your channel probably not a tactful video to make. It seems the opinions of musicians can sometimes get lost in technicalities at the expense of musicality and creativity. In the case of Cobain, a distaste for his philosophy, or rather lack thereof in sufficiency, distracts from the creativity and energy re-animating the essence of rock at a time when the frustration of late modern anxiety needed a voice to rise above the din in rebellion against the PC guilt trips for white kids being unfairly punished as if they were privileged. Now, you might say that the energy of Nirvana songs come with a drawback of a very short shelf life. Some really hit the sweet spot in the pallet the first two or three times you hear it, but then its like having nagged your mom for a box of Yodels and finding the sickly sweet is too much, and the chemical cake turns bitter and unwanted. Alice in Chains, on the other hand, has shelf life in that same genre of reinvigorating the creative but masculine energy of rock …a complement to Nirvana, but like Nirvana can be criticized for asking too much of White men, to be self sacrificing in the name of musical self actualization, appreciation and respect from women in the age of you are bad White man. In that sense, I believe your criticism would have been better aimed at their insufficient grasp of what post modern philosophy is supposed to be about rather than the sound itself, which in my opinion to the contrary,
For another example, complaining about the attitude and anxiety manifest in Cobain’s voice is like saying you don’t like Pink Floyd’s “Animals” because it is “too sad,” ignoring the artistry which is so good that the wallowing is welcome comradery in otherwise un-catered-to frustration with institutional bullying; or in the example of The Smiths, who also wallow away, but are so musically creative that you don’t even care if they are sad and gay, even if you are not.
While most of the music that I’ve included in this post is old, it is not my intention at all to suggest that older music was better; it’s just that this is the music that I knew to be good and can suggest for others who may not be familiar or who would perhaps like some confirmation of their tastes.
It also tends to be older music because there came a point where I made a conscious decision to spend less time listening to music – it can be addictive, like a drug; it was for me; give me a cup of coffee and music and I could be happy; but it came to a point when there were other matters to attend to in life.
Nor do I mean to suggest that there is no good music around today; I have had a friend surprise me with new groups and songs that were fantastic; I wish I could remember those particular songs, but it was a few years back already; as I said, I am not averse to new music, am in fact tired enough of most of this old stuff to not listen to it anymore, but I am simply not familiar with good, new stuff to bring it to your attention.
Furthermore, I do not by any means mean to suggest that I endorse the politics of these artists – good grief! Just the opposite in most cases – I’d have to change the lyrics in my head so as not to be driven mad.
Finally, there are some groups which I love, like the Jefferson Airplane – and I might include select cuts later – but I do not include them now because they had two integral Jewish members – Balin and Kaukonen – so I do not highlight the Airplane, registering them in what were once a guilty listening pleasure along with some black music that I’ve liked.
..by the way, I really don’t partake of these guilty listening pleasures much any more; and its good for young guys to bear in mind that people like Jimi Hendrix are not good role models for White boys.