Who Runs Hollywood?

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C'mon

How deeply Jewish is Hollywood? … 

As a proud Jew, I want America to know about our accomplishment. Yes, we control Hollywood…

So I’ve taken it upon myself to re-convince America that Jews run Hollywood by launching a public relations campaign, because that’s what we do best. I’m weighing several slogans, including: “Hollywood: More Jewish than ever!”; “Hollywood: From the people who brought you the Bible”; and “Hollywood: If you enjoy TV and movies, then you probably like Jews after all.”

I called ADL Chairman Abe Foxman, who was in Santiago, Chile, where, he told me to my dismay, he was not hunting Nazis. He dismissed my whole proposition, saying that the number of people who think Jews run Hollywood is still too high. The ADL poll, he pointed out, showed that 59% of Americans think Hollywood execs “do not share the religious and moral values of most Americans,” and 43% think the entertainment industry is waging an organized campaign to “weaken the influence of religious values in this country.”

That’s a sinister canard, Foxman said…

[…]

I appreciate Foxman’s concerns. And maybe my life spent in a New Jersey-New York/Bay Area-L.A. pro-Semitic cocoon has left me naive. But I don’t care if Americans think we’re running the news media, Hollywood, Wall Street or the government. I just care that we get to keep running them.

A friend of mine asked me if I wanted to see a movie that had just come out; he'd already seen it, called "Pulp Fiction", but he offered to go again with me. I declined, no thanks, because it is a Hollywood move and as such, it will be encouraging/making excuses for White women to go with blacks. He looked at me, puzzled, wondering 'how I kind of anticipated this culminating scene' ... ... Quentin Tarantino, teaching us what it means to be virtuous in the modern world.

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  1. Hymiewood

    Hollywood, as we all know, has long been a Jewish domain—reaching back to its origins in the 1910s and 1920s.

    It was constructed by the likes of Carl Laemmle (Universal Pictures), Adolph Zukor, Jesse Lasky, Daniel and Charles Frohman, and Samuel Goldwyn (Paramount), William Fox (Fox Films, later 20th Century Fox), and the four “Warner” Brothers—in reality, the Wonskolaser clan: Jack, Harry, Albert, and Sam. They were soon followed by Marcus Loew (MGM), William Paley (CBS), and Harry and Jack Cohn (Columbia), establishing nearly complete Jewish control over the film business.

    Today the situation is little changed—and is neither disputed nor even controversial. A notable story published in the LA Times in 2008 openly proclaimed that “Jews totally run Hollywood”.[6] It investigated every major studio and found nothing but Jewish bosses. Today the names have changed, but not the ethnicities. A recent survey of major executives or owners reveals the following:

    20th Century Studios (S. Asbell)
    Paramount (S. Redstone)
    Disney Studies (A. Bergman, A. Horn)
    Warner Bros Studios (T. Emmerich, A. Sarnoff, R. Kavanaugh)
    MGM (M. De Luca)
    Sony Pictures (T. Rothman, S. Panitch, J. Greenstein)
    Lionsgate (M. Rachesky, J. Feltheimer)
    Relativity Media (D. Robbins)
    Millennium Media (A. Lerner)
    The Chernin Group (P. Chernin)
    Amblin Partners (S. Spielberg)
    Participant (J. Skoll, D. Linde)
    Sister (S. Snider, E. Murdoch)
    Spyglass (G. Barber)
    Glickmania (J. Glickman)

    As before, all of these individuals are Jews.[7] With such dominance, we should scarcely be surprised to find pro-Jewish themes repeatedly appear in film.

    https://www.theoccidentalobserver.net/2021/04/23/confronting-the-judeocracy-the-six-stages-of-enlightenment/

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